![]() ![]() It's impossible to ignore the power and shock value of it all as Spider-Man thinks he's triumphantly saved Gwen, only to realise he's done nothing of the sort. We even have time for a little J Jonah Jameson amidst it all.īut, whatever else goes on in the tale, the talking point's inevitably its climax.Īnd it's here the tale's at its best and at its most frustrating. Gil Kane's story-telling's as masterful as ever and Jazzy John Romita's inks help maintain the look the strip's had since Steve Ditko left way back in issue #38. Nor is it short of intensity, as we get the drama of Harry's drug relapse followed by Osborn's breakdown before topping it all with the shocking climax. ![]() Its certainly not a tale short of incident. In the ensuing fight, the Goblin knocks Gwen from the top of the bridge and, despite Spider-Man thinking he's saved her from guaranteed death, it turns out he hasn't. ![]()
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